Viola Spiccato

Last week, I told you about my long, viola-free vacation and the impact it had on my playing. For me, spiccato is one of the first skills to degrade when I take time off.

I already know this, and I created my a daily maintenance schedule for spiccato years ago. I can't tell you what a difference it makes in my professional life!

But I don't just practice a generic spiccato. There are three primary spiccatos that we use as orchestral players. They are distinct in terms of the character of the articulation and the of the tempo:

  1. Mendelssohn Scherzo - 84 beats per minute

  2. Brahms Haydn Variation V - 120 beats per minute

  3. Mozart Haffner Movement IV - 144 beats per minute

As you know, spiccato is complicated, but keep in mind that there are two things that can potentially throw off a spiccato—the first is string crossings, and the second is shifting. These two things happen with greater frequency in an arpeggio as opposed to a scale.

I have found that the best “vehicle” for practicing spiccato at these tempi is the Carl Flesch arpeggio series, and I have developed a highly effective, daily spiccato routine that takes 10-15 minutes.

Can I share my spiccato routine with you? Click on my schedule to find a time when we can have a short chat, and I'll be happy to share my routine for free!

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